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Miscellaneous Information



Last updated: 4 October, 2020.


Watermarks

Six different watermark papers, as well as unwatermarked paper, were used for the Kangaroo & KGV Head stamps.  ACSC designates the watermarked papers as Type 1 to 6.

Watermarks are formed in the wet pulp stage of papermaking by pressure rollers, which results in thinning of the paper.  It is this thinning that is apparent under a backlight.

The Kangaroo stamps use the following watermarks:

wmks wmks wmks wmks wmks
FIRST WATERMARK
B-W's ACSC Type 1
SECOND WATERMARK
B-W's ACSC Type 2
THIRD WATERMARK
B-W's ACSC Type 3
SMALL MULTILPLE WATERMARK
B-W's ACSC Type 5
C of A WATERMARK
B-W's ACSC Type 6

The KGV Head stamps use the following watermarks:

wmks wmks wmks wmks wmks
UNWATERMARKED
 
SINGLE (2nd.) WATERMARK
B-W's ACSC Type 2
LARGE MULTIPLE WATERMARK
B-W's ACSC Type 4
SMALL MULTILPLE WATERMARK
B-W's ACSC Type 5
C of A WATERMARK
B-W's ACSC Type 6


Paper Types

Apart from watermarked and unwatermarked papers, there are different stamp paper types . 

Thick and Thin Paper
Thick paper is a surfaced paper and the watermark is quite often difficult to see. Thin paper is almost transparent, by comparison, and the watermark is clearly visible. With particularly thin papers, the stamp design can clearly be seen from the reverse side of the stamp. Brusden-White has defined "thin paper" as being less than 0.07mm thick.

Smooth Paper
Smooth paper is a coated paper traditionally used for the printing of postage stamps.

Rough Paper
Rough paper is an uncoated paper that was used when supplies of coated paper were interrupted during WWI.  A rough paper stamp may look mottled in appearance (due to higher ink absorption). The stamp surface may feel slightly rougher to touch, compared to surfaced paper; and due to the greater absorption of ink, the shade may be slightly darker.

Helecon Paper
Helecon is a trade name of a luminescent zinc-sulphide chemical.  It reacts to Ultra Violet light and fluoresces a bright orange red. It was applied to all Australian postage stamps since 1965, with two exceptions: a trial run of the 1963 11d. Bandicoot stamp on Helecon paper; and 1965 5d. QEII definitive stamp was printed on surplus non-Helecon paper by mixing Helecon in the printing ink.

Cream and White Paper
In mid 1964 a Wiggins Teape cream watermarked paper replaced the Harrison white watermarked paper.  The 1964 5/- Cattle stamp was the first to be printed using both papers, with the some stamps of the Navigator series also being printed in both papers.


SPECIFIC PAPER TYPES

Wiggins Teape Paper


KP5D  Paper


KP6T Paper
An unwatermarked coated white paper incorporating Helecon.



Dies

A Die is the medium (usually metal) on which the stamp's design is first engraved. This original die is designated Die 1.  If it becomes necessary (due to either damage or wear) to alter the die, later versions are designated Die 2, Die 3, etc.  Minor repairs (for example) can be designated as Die 2A & Die 2B.
Printing plates (often multiple plates) are prepared from these dies.

The Kangaroo Dies
dies dies dies dies
Die 1 Die 2 Die 2A Die 2B
Break in the inner lower left frame, level with the top of the value in words Die 1 repaired & shows no break.  Can be confused as an over-inked Die 1 As Die 2 but with a break in the inner-left frame, 9mm from the top of the design As Die 2A plus a break in the top frame line above 'ST', plus an incomplete top right corner














The 1d. KGV Dies: 
1d. Die 1 1d. Die 2 1d. Die 3
Shading behind the Kings head widens below As Die 1, plus a 'spur' in the left hand tablet Shading behind the Kings head now evenly spaced, plus a break in the shading line at this neck











The 2d. KGV Dies     The 3d. KGV Dies    
2d. Die 1 2d. Die 2 3d. Die 1 2d. Die 2
Die 2 has wider and bolder numerals than Die 1 Die 2 has bolder value numerals than Die 1










The 4½d. KGV Dies     The 5d. KGV Dies   
4½d. Die 1 4½d. Die 2 5d. Die 1 5d. Die 2
Die 2 has the bolder value numerals and words, and the serif at the base of the '4' is blunt rather than tapered Die 2 does not have a double oval in front of the Kangaroo & Emu


















Printing

Sheet Stamps can be printed in the following arrangements:  (DRAFT)

Single stamps
Horizontal Se-tenant Pairs or Strips
Vertical Se-tenant Pairs or Strips
Se-tenant Gutter Pairs
Tête-bêche:  Two stamps, one printed upside down or sideways relative to the other.
Se-tenant Blocks of 4:  Two different stamps printed diagonally opposite)
Blocks of 4 (or more):  All different stamps
\.........



Perforations

The earliest Australian Colonial Stamps were printed and issued Imperforate, with individual stamps being cut by hand at local post offices.

The next stage was Rouletting the stamps as part of the printing process, by the use of a toothed wheel or disk.  This method involved either piercing or making small cuts in the paper.

The final stage was Perforation of the paper, where paper was punched out to form a circular hole.

The early Australian stamps were perforated using either a single line perforating machine but more usually by a comb perforator.

The Kangaroo stamps all used a Perf. 11¾ comb, using the same spacing vertically and horizontally.

Some King George V Head stamps had Single Line Perforations but were mainly Comb perforations.  The engraved heads were Single Line Perf. 11 with others being Single Line Perf. 14.2.  The majority however were either Perf. 14¼ x 14 comb or Perf. 13½ x 12½ comb.

Perforations are measured by the number of holes per two centimetre.  Perforation gauges allow measurement in ¼ hole increments, while some publications display perforations to the nearest  ½ hole increments.



Reprint Indicators

From October 1989 Australia Post identified stamp reprints by the use of small Koala and / or Kangaroo emblem in the sheet selvedge (margin). These logos were introduced to allow easy identification of reprints.  Initially the emblems were printed adjacent to every second row, but were soon printed next to every row. 

The original printing has no marginal indicators.  The reprints are identified as follows:

Reprints              Indicators Examples

stamp stamp stamp stamp  stamp stamp stamp stamp
stamp stamp
1
2
3
5
6
7
8
9
10
11



Printers

From 1850 to 1901, Australian postal services were under the control of the six independent British Crown Colonies (now States).  This continued as an informal arrangement until the first official Commonwealth stamps were issued in 1913.

Between 1913 and 1977 all stamps were printed in Melbourne, with the exception of two of the 1956 Olympic Games stamps (the 1/- & 2/- values), and the 1962 British Empire & Commonwealth Games stamp set.


Stamp Printing Authorities

1909  The Stamp Printing Branch of the Commonwealth Treasury Department was established, as the Commonwealth Stamp Printer.

1918  The Stamp Printing Branch was abolished and printing of Commonwealth Postage Stamps became the responsibility of the Note Printing Branch of the Treasury Department, as the Australian Note and Stamp Printer.

1924  The Note and Stamp Printing Branch was transferred to the control of the Commonwealth Bank.

1959  The Note and Stamp Printing Branch was abolished and a new Note Printing Branch under control of the Reserve Bank was established.

1969  The Note Printing Branch of the Reserve Bank was re-organised, with stamp printing & production now carried out by the Printing Division of the Note Issue Department.

1977  Since 1977 a number of private security companies have been contracted to print Australian Commonwealth Stamps. A comprehensive article 'Modern Australian Stamp Printers' by Richard Breckon can be viewed HERE.

1981  The last stamp printed at the Note Printing Branch was the 50th anniversary of APEX commemorative.


The Official Stamp Printers

J. B. Cooke1913-1918
John Bradley Cooke was the South Australian Government Stamp Printer from 1881, and is credited with an improved stamp perforation system.  In 1913 he took up the position of Commonwealth Stamp Printer. He retired in May 1918.

T. S. Harrison.  1918-1926
Thomas Samuel Harrison came over to Australia from London in September 1912, having previously worked for Waterlow & Sons. (A firm of English engravers and printers, founded in 1810 and acquired by De La Rue in 1961).  He was immediately appointed as Australia's first official Banknote Printer and under his guidance a production facility was established at Kings Warehouse near the docks in West Melbourne.  In 1918, with the amalgamated of the Stamp Printing Branch into the Note Printing Branch, he was appointed the Australian Note and Stamp Printer.  He retired circa March 1926.

A. J. Mullett.  1926-1927
Albert James Mullett was Victorian Government Printer from 1914 to 1924, beginning as an apprentice.  Approximately one year after his retirement he was appointed acting Commonwealth Note and Stamp Printer (February 1926 to June 1927) while a replacement for Harrison could be found.  He passed away in October 1938, age 74.

John Ash. 1927-1940
John Ash was born on 17 May 1872 at Perth, Scotland.  Ash had been Printing Manager of De La Rue & Co., London before coming to Australia.  He joined the Commonwealth Bank on 21 March 1927 as the Australian Note and Stamp Printer. He had a genuine interest in stamp quality and was responsible for the changeover from letterpress to recess-printing in the early 1930s. He retired on 20 April 1940 as General Manager of the Note Printing Branch. He passed away on 28 November 1947, age 75.

W. C. G. McCracken, O.B.E. 1940-1963
William Clifford Gordon McCracken was born on 22 March 1898 at Fitzroy, Victoria.  He joined the Commonwealth bank on 1 August 1936, as Works Manager, and was appointed Australian Note and Stamp Printer (and General Manager) on 21 April 1940.  He was responsible for introducing new equipment, the photogravure printing process, and (reportedly) the elimination of personal monograms and imprints in favour of 'By Authority' impersonal marks in 1942.  He retired in March 1963, the same year he was awarded the O.B.E.  He passed away in 1964, age 67.

W. H. Wilcock, C.B.E. 1963-1969
William Howard Wilcock was born at Ballarat, Victoria on 21 December 1904.  He joined the Commonwealth bank  on 1 March 1921, and appointed General Manager, Note Printing Branch Melbourne, on 21 April 1962.  He was in office during a period of great technical innovation. He also saw the changeover to decimal currency prior to his retirement on 14 November 1969.   It is reported that he passed away 17 September 1999.


Monograms and Imprints

The various Commonwealth Stamp Printers included marginal marking, in the form of Monograms or Imprints:
Monograms
 J. B. Cooke
Imprints
T. S. Harrison
Imprints
A. J. Mullett
Imprints
John Ash
Imprints
W. C. G. McCracken
Imprints
"By Authority" *
        * The "By Authority" imprint was also used by McCracken.


Modern Australian Stamp Printers
 
A detailed article by Richard Breckon, regarding the Australian Stamp Printers since 1977, is available to view on The Philatelic Database website.   Link.



Colour Groups

Stamp colours fall into several main groups or classes.

click here Primary Colours: Red, Blue, Yellow.

Secondary Colours: Violet, Green, Orange.

Adjacent Colours: e.g. Red, Orangey Red, Orange-Red, Red-Orange, Reddish Orange, Orange, Yellowish Orange, Yellow-Orange, Orange-Yellow, etc. (Also called analogous colours.)

Grey Group: Greys are intermediate colours between White and Black. (Greys are called neutral or achromatic grey when no other colour is added.)

Brown Group: A composite colour group created from reds, yellows, and black.

The following illustrates the shades clockwise around the colour circle in 10° segments:
                                                                         
 


Naming Colours and Shades

Colours

The naming convention used in this website follows the generally accepted rule that if a name is composed of two colours, it is hyphenated (e.g. Blue-Green, Yellow-Green, etc.), with the last named colour being the prominent colour.

Colours with a special name (comprising two words) are not hyphenated (e.g. Cyprus Green, Moss Green, etc.).


Shades

Where a colour is prefixed by a shade modifier (e.g. Bright, Dark, Deep, Dull, Intense, Light, Milky, Pale, Very) or by a colour modified (e.g. Reddish, Bluish, Yellowish, etc.) it is not hyphenated (e.g. Dark Green, Bluish Green, Very Deep Yellow-Brown, Pale Yellowish Green, etc.).

Shade modifiers can be interpreted using the following terms:

Light / Dark.....refers to the amount of white or black in the colour.

Pale / Deep.....refers to the "strength" of the ink and/or the amount of ink applied during printing,  i.e. dry ink.

Dull / Bright.....refers to the general appearance of the stamp, where "dull" could be described as "flat & lifeless" and "bright" as "fresh almost vivid".

Aniline.....refers to a colour produced with a water soluble (coal-tar) dye base, that runs when wetted and fluoresces strongly under UV light. Aniline stamps can display a distinct brightness of colour on the face, with the colour showing through to the back of the stamp.



Stanley Gibbons' Shades

The leading authority for the naming of shade colours for Commonwealth stamps is arguably Stanley Gibbons, UK.  They were established in 1856, just 14 years after the issue of the world's first adhesive postage stamp, the British "Penny Black". See Here

click here click here click here The first significant listing of colours, prepared especially for stamp collectors, appears to be the excellent 1899 publication "A Colour Dictionary" by B. W. Warhurst and published by Stanley Gibbons.  It lists and names 200 colours and has 56 colour images.

click here click here click here click here The next significant publication was by stamp printers Perkins Bacon Co. Ltd. Stanley Gibbons' publication No. 2077). It shows 100 shades. It is believed to be circa. early 1920s.

click here click here Stanley Gibbons subsequently issued an undated early guide (Nos. 3333) contains 75 named colour chips, plus 12 infrequent used shade names: Agate, Azure, Cerise, Cinnamon, Chrome Yellow, Crimson, Indian Red, Myrtle Green, Plum, Rosine, Royal Blue, Steel Blue.




click here A later issue of publication nos. 3333, dated 1966, contains 100 named colour chips, plus 3 infrequent used shade names: Azure, Chrome Yellow, Indian Red.

click hereIn 1970, Stanley Gibbons issued a Stamp Colour Key (Item No. 2530), that contains 100 named colours. 

An expanded Colour Key was issued in 1986 containing 200 colours.  This was reissued in 2001 and still contained 200 colours

The latest Stanley Gibbons guide (shown above) is an undated Stamp Colour Key (still with the Item No. 2530 reference), containing 200 named colour chips.  A list of these shades can be viewed here.

Stanley Gibbons no longer produces Colour Keys.



Brusden White's Shades

PRE-DECIMAL SHADES

The shade names used in the Pre-Decimal ACSC are not related to the SG shades.

The names are a more natural or instinctive colour description of adjacent colours (see the Colour Groups above),   together with the following unique names:

Buff, Carmine, Chestnut, Chocolate, Chrome, Crimson, Cyprus Green, Damson, Emerald, Indigo, Lemon, Lilac, Lime, Maroon, Moss Green, Olive, Pink, Plum, Purple, Rose, Rosine, Russet, Salmon, Scarlet, Sea Green, Silver, Slate, Terra Cotta, Turquoise, Ultramarine.

A full list of the shade names used by Brusden-White in their Kangaroo & KGV catalogues can be viewed here.

DECIMAL SHADES

The decimal shade names are based on the latest Stanley Gibbons Colour Key containing 200 named colour shades.

A list of those shades can be viewed here.



KGV 1d. Red Shades

The shades of the 1d. Red King George V heads is arguably the most difficult and confusing when collecting stamp shades. The variation in shades resulted from the difficulty in acquiring consistent supplies of suitable pigments during the war years.

In 1932 a specialist committee was set up to form a workable shade listing.  This committee comprised the following leading experts: Appleby, Blogg, Hatcher, Johnson, Orlo-Smith, Purves, and Rosenblum. 

The basis for this committee's work was Colenso Blogg's 1930 list of 1d Red Shades, comprising some 370 shades.  These shades have "Z" prefixes.

This committee came up with a recommended list of "G" prefixed Shade Groups, that were listed in Orlo-Smiths 1933 Supplement to the Third Edition. These "G" numbers are still in current usage.

These "G" numbers represented a "..... full list of major colours, and, after each colour, a list of the chief variants of shade in that class when they exist". Note the qualifying 'major' and 'chief', clearly indicating that numerous more shades exist within in shade group.

For those requiring a simplified method of collecting, Orlo-Smith suggested that ....." the Penny red arrange themselves in the following groups":

1914  -  Carmine-Reds
1915  -  Reddish Pinks & Scarlet
1916  -  Deep Scarlets
1917  -  Roses & odd shades
1918  -  Pinks & Carmines

In 1939 Orlo-Smith published a visual diagram showing the relationships of the Red shades.  Moving to the right of the Red column gives an orange tinge due to the addition of yellow, and moving to the left gives a purple tinge due to a the addition of blue. Moving above the Red row results in paler shades due to the addition of white, and moving below this row results in darker shades due to the addition of black.

Orlo-Smith Diagram



Reference Books and Websites


"The Redhead" by Colin Beech
book Colin Beech's book "The Redhead", published by The British Society of Australian Philately (1998) is arguable the most informative publication currently available. It is a essential reference for anyone interested in the history of the 1d Reds.

It contains three main sections.  Section 1 includes a brief history, the shade groups, daylight appearance and U-V Light reactions, and periods of use.  Section 2 covers forming a shade collection, and details of the various paper & watermark groups. Section 3 includes a full list of the Colenso Blogg "Z" prefixed shade list (including the corresponding "G" prefix shade numbers), and detailed specific information on each "G" shade.

"Modern Australian Stamp Printers" by Richard Breckon
A detailed article concentrating on the Australian Stamp Printers since 1977 is available to view on The Philatelic Database website.   Link.

Glebe Stamps Website
A detailed and up-to-date examination of the KGV 1d Red shades, together with the assigning Stanley Gibbon shade names to the original names used in the CSC, is available on James Chapman's Glebe Stamps website.   Link

Stampboards.com Website
A number of informative posts can be found on the Stampboards.com website.   link

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